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An electronic musical instrument is a musical instrument that produces sound using electronics. Such an instrument sounds by outputting an electrical audio signal that ultimately drives a loudspeaker. An electronic instrument might include a user interface for controlling its sound, often by adjusting the pitch, frequency, or duration of each note. However, it is increasingly common to separate user interface and sound-generating functions into a music controller (input device) and a music synthesizer, respectively, with the two devices communicating through a musical performance description language such as MIDI or Open Sound Control. All electronic musical instruments can be viewed as a subset of audio signal processing applications. Simple electronic musical instruments are sometimes called sound effects; the border between sound effects and actual musical instruments is often hazy. Electronic musical instruments are now widely used in most styles of music. Development of new electronic musical instruments, controllers, and synthesizers continues to be a highly active and interdisciplinary field of research. Specialized conferences, notably the International Conference on New Interfaces for Musical Expression, have organized to report cutting-edge work, as well as to provide a showcase for artists who perform or create music with new electronic music instruments, controllers, and synthesizers. == Early electronic musical instruments == In the 18th-century, musicians and composers adapted a number of acoustic instruments to exploit the novelty of electricity. Thus, in the broadest sense, the first electrified musical instrument was the Denis d'or, dating from 1753, followed shortly by the clavecin électrique by the Frenchman Jean-Baptiste de Laborde in 1761. The former instrument consisted of a keyboard instrument of over 700 strings, electrified temporarily to enhance sonic qualities. The latter was a keyboard instrument with plectra (picks) activated electrically. However, neither instrument used electricity as a sound-source. The first electric synthesizer was invented in 1876 by Elisha Gray. The "Musical Telegraph" was a chance by-product of his telephone technology when Gray accidentally discovered that he could control sound from a self-vibrating electromagnetic circuit and so invented a basic oscillator. The Musical Telegraph used steel reeds oscillated by electromagnets and transmitted over a telephone line. Gray also built a simple loudspeaker device into later models, which consisted of a diaphragm vibrating in a magnetic field. A significant invention, which later had a profound effect on electronic music, was the audion in 1906. This was the first thermionic valve, or vacuum tube and which led to the generation and amplification of electrical signals, radio broadcasting, and electronic computation, among other things. Other early synthesizers included the Telharmonium (1897), the Theremin (1919), Jörg Mager's Spharophon (1924) and Partiturophone, Taubmann's similar Electronde (1933), Maurice Martenot's ondes Martenot ("Martenot waves", 1928), Trautwein's Trautonium (1930). The Mellertion (1933) used a non-standard scale, Bertrand's Dynaphone could produce octaves and perfect fifths, while the Emicon was an American, keyboard-controlled instrument constructed in 1930 and the German Hellertion combined four instruments to produce chords. Three Russian instruments also appeared, Oubouhof's Croix Sonore (1934), Ivor Darreg's microtonal 'Electronic Keyboard Oboe' (1937) and the ANS synthesizer, constructed by the Russian scientist Evgeny Murzin from 1937 to 1958. Only two models of this latter were built and the only surviving example is currently stored at the Lomonosov University in Moscow. It has been used in many Russian movies—like ''Solaris''—to produce unusual, "cosmic" sounds.〔All the preceding instruments except those of Darreg and Murzin described in P. Scholes, ''The Oxford Companion to Music'', 10th Ed. OUP, p.322〕 Hugh Le Caine, John Hanert, Raymond Scott, composer Percy Grainger (with Burnett Cross), and others built a variety of automated electronic-music controllers during the late 1940s and 1950s. In 1959 Daphne Oram produced a novel method of synthesis, her "Oramics" technique, driven by drawings on a 35 mm film strip; it was used for a number of years at the BBC Radiophonic Workshop. This workshop was also responsible for the theme to the TV series Doctor Who, a piece, largely created by Delia Derbyshire, that more than any other ensured the popularity of electronic music in the UK. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Electronic musical instrument」の詳細全文を読む スポンサード リンク
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